Elizabeth Peyton, Jackie and John (Jackie fixing John’s hair), 1999
Encased enframed by waning waves of blue blocks
Forlorn, tears not worn embodied the white princess trite
Patting not a jock's cap on dweeby boy, wet behind the ears.
A pair, Her Fairness rains down splat at that whatchamaallit's hair
Eton style hiding youth's Rock a hard guile, organ loss, his
Mojo is a toss.
At heel a watch dog's pace in white space, a triangular
gumshoe tails
a Dicks' opposing pace.
Not a fleshly rhythmed walk, bi-unisoned march. Ready up? Hup,Hup.
Letting gas, no faults imbued, bespoke at mass. B'rup, b'rup.
Native American White Soxed princeling S.O.B. steps in tune to
pie-hole dishonesty
Clothed up tight they walk our rights under camera bites.
To be or Naught to be wussed out on vicissitudes as mother
Jack's off, ew! surreptitious frights.
-- Claire Medol Hyman
Note: Written as an exercise at a workshop called "High Art/Low Language: Experiments in Poetic Style," conducted by Eileen G'Sell at the Mildred Lane Kemper Art Museum, where Elizabeth Peyton's exhibition "Ghost" is currently on display through April 18.
Tuesday, March 8, 2011
Friday, March 4, 2011
His Heart Is One Color
Elizabeth Peyton, "Kiss (Tony)," 2000, lithograph.
Impecunious he leans against the wall
Knee to chest, Hand to heart,
A tear on his cheek, trying
Hard not to caterwaul
Thinking of his idols -- Kabuki-faced
Indomitable heroes who never fall
Note: Written as an exercise at a workshop called "High Art/Low Language: Experiments in Poetic Style," conducted by Eileen G'Sell at the Mildred Lane Kemper Art Museum, where Elizabeth Peyton's exhibition "Ghost" is currently on display through April 18.
In brief, the exercise was to look at one of Peyton's prints representing someone from "low" culture, in this case a young man wearing a t-shirt with a picture of the rock band Kiss on it, and write a poem in response using words drawn from our own observation of the print as well as randomly chosen "twenty-dollar words." (The randomly chosen words that I used were "impecunious" and "caterwaul.")
A further challenge was to attempt a traditional verse from such as a sonnet. In the short time in which we had to write that didn't work out so well for me. I did manage to rhyme "wall," "caterwaul," and "fall."
A fun exercise and a great workshop.
Impecunious he leans against the wall
Knee to chest, Hand to heart,
A tear on his cheek, trying
Hard not to caterwaul
Thinking of his idols -- Kabuki-faced
Indomitable heroes who never fall
Note: Written as an exercise at a workshop called "High Art/Low Language: Experiments in Poetic Style," conducted by Eileen G'Sell at the Mildred Lane Kemper Art Museum, where Elizabeth Peyton's exhibition "Ghost" is currently on display through April 18.
In brief, the exercise was to look at one of Peyton's prints representing someone from "low" culture, in this case a young man wearing a t-shirt with a picture of the rock band Kiss on it, and write a poem in response using words drawn from our own observation of the print as well as randomly chosen "twenty-dollar words." (The randomly chosen words that I used were "impecunious" and "caterwaul.")
A further challenge was to attempt a traditional verse from such as a sonnet. In the short time in which we had to write that didn't work out so well for me. I did manage to rhyme "wall," "caterwaul," and "fall."
A fun exercise and a great workshop.
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